what i'm reading wednesday 20/8/2025

Aug. 20th, 2025 09:31 am
lirazel: Evelyn from The Fall in her purple dress with the white doves ([film] the fall)
[personal profile] lirazel
What I finished:

+ Filterworld: How Algorithms Flattened Culture by Kyle Chayka, the guy who wrote that article a few years ago about how disconcerting it is that you can find coffee shops with the exact same aesthetic everywhere in the world.

I have rarely read (er...listened to, as this was an audiobook) a book I agree with so strongly. Chayka hates algorithmically-driven platforms as much as I do--perhaps more! Which is saying something! He basically thinks they're destroying culture, and I do not think he is wrong!

This book is both a "wow, this thing is fucked up and I hate it!" book and also a love letter to human curation and the development of your own taste. Lots of examples, a chapter about his own relationship with these platforms, a chapter about human curation in the real world and one about the people who are trying to do something similar online. This isn't a book that hates the internet--instead, like me, he's very nostalgic for certain things about the 90s/early 2000s internet before social media ruined everything. His discussions of discovering obscure anime through forums in the early 2000s made me very happy. I think he does a good job balancing the bigger picture with his own experiences--there are some writers who just include too much of themselves in their books that are allegedly about wider phenomena, but I didn't get annoyed with him in the way I sometimes do, so he must have done okay with the balance.

I really enjoyed this, but I do not recommend the audiobook. The reader has a decent enough voice, but he does this weird thing where he chops up sentences strangely in a way that they were not written, inserting the pause and emphasis in ways that I know Chakya didn't intend. It only happened a few times, but it really annoyed me. Does this person not know how sentences work? The way he read them made so much less sense! I wish I could remember examples to share, but alas I do not. On top of that, he mispronounced several things that matter to me personally (though I can't remember what they are right now) so I just got annoyed with him. I really need to stick to books read by their authors.

+ I also finished my reread of The Dawn of Everything for book club. I know I wrote a review of it the first time I read it, but I can't find it now. I'll keep looking and update this with a link if I can find it.

Graeber and Wengrow's main project is dismantling the cultural ideas that there is a certain, linear way that human societies develop and that if you scale them up large enough, they can no longer be democratic (which they define much more strongly than we usually use it) and must instead involve state brutality, bureaucracy, etc. Their main project is saying, "No, this is not true, just look at past cultures that were large without (probably) developing states as we think of them today. People have arranged themselves in countless different ways over the course of history, they did it purposefully, and we can do the same if we only have the imagination and will." Obviously, this speaks to me deeply.

This time around, I especially appreciated how much emphasis they put on how people have always been people--that people in the past didn't live in some atemporal way where they sort of drifted along and as technologies arose (who developed them? this is usually left unspoken) and climate/geography changed, they changed in response. The authors very much believe that people have always had agency and used it, that they've thought of themselves as and indeed been conscious political actors all along, that societies could be headed on a certain trajectory and then their people could decide to take a different turn instead. They're less clear on just how people made these collective decisions and took different turns, which is the most frustrating thing about the book imo--I want to apply what I've learned here, but I don't know how!

The core of Graeber's worldview is that quote of his (from a different work): "The ultimate hidden truth of the world is that it is something that we make, and could just as easily make differently." I think he is right about this. But I think the time scale matters, which is not something they explore deeply in this book. These decisions are mostly not made (with a few exceptions) on the scale of a human life but over the course of generations, which I'm sure is true but is also dissatisfying for those us who want people to suffer less now. And again, the actual mechanisms through which societies made these decisions are not included in the book, mostly because there's no way to know how most of them did it and also because telling us how they did it is not the point of this book.

Perhaps some of this would have been addressed in later books if Graeber hadn't left us so soon. Last I heard (several years ago) Wengrow was still working on the second book of their planned three or four, but who knows if we'll ever see it and how different it will be without Graeber's input.

I'll add this: I am much more aware this time of the book as (as someone else in the book club described it) historical midrash. The writers are pretty clear about the fact that some of what they're saying is conjecture--they think a good case can be made from the historical record, especially the archaeological one, but we can't know for sure. Still, every historian/archaeologist/anthropologist/whatever comes to conclusions despite us not knowing things for sure, and the authors are sick of the conclusions that are derived from the main narratives of a) humans having always been terrible or b) there being some sort of Fall (usually related to scale, agriculture, and cities).

They're saying, "We can't know for sure that X is true, but a case can certainly be made, so let's make it and then ask ourselves what we can learn about human societies--what can we imagine about our own futures--if it is true?" This is a very ideological (and anarchist) book, but most books are, and they're upfront about it, and also their ideology is much more in line with my own than most.

If nothing else, my mind continues to be blown by the fact that five thousand years passed between human beings first learning how to cultivate crops (a development they believe was women's work) and the rise of actual domestication and reliance on agriculture as the primary form of feeding communities. You heard that correctly! The Agricultural "Revolution" was five thousand years long!

What I'm currently reading:

+ After such books, I needed a palate cleanser, so of course I picked up a golden age mystery. This one is A Miss Marple book, Sleeping Murder. In middle school, I read all the Hercule Poirot books, but I didn't do something comparable with Miss Marple, so this one is entirely new to me (instead of just read so long ago that I've forgotten most of it). Very absorbingly written!

what i'm reading wednesday 13/8/2025

Aug. 13th, 2025 08:29 am
lirazel: The members of Lady Parts ([tv] we are lady parts)
[personal profile] lirazel
A short post this week, since I was very, very busy this weekend.

What I finished:

+ Behind Frenemy Lines by Zen Cho, which I enjoyed despite the awful name. Whoever is naming the books in this series is doing them a disservice! I really like the cover art though, so kudos to the artist.

The books in this series (two so far, the other being The Friend Zone Experience) are ostensibly romances, but that's not really why I read them. The romances move too fast for my ace ass, just like 90% of romances, but this is a Me Problem. If you don't have the "you barely know each other!" or the "I haven't spent enough time with you to be fully invested in this relationship!" kinds of problems that I have with almost all romances, then I do not think the romance will seem rushed. It's a nice dynamic between two immigrant London lawyers (one from Malaysia, one from Hong Kong) who have a series of unfortunate encounters before ending up working together.

I really like both of the characters, but as I said, I'm not so much here for the romance as I am for the other stuff. In both of these books, the real appeal are a) the family backdrops and b) the moral quandaries. Zen Cho is fantastic at writing complicated family dynamics that feel so very real--suffocating in some cases, loving but fraught in others. Family, no matter how loving, is never easy in her books--it involves responsibilities, expectations, negotiations but it's no less precious for all that. I deeply appreciate this aspect of her writing because it feels very real and immediate, especially in a world that (at times) can encourage us to just break things off with any relationship that involves conflict.

She's also really good at placing her characters in situations where they have to make difficult choices and are torn by dueling loyalties or moral commitments. The choices these characters make matter in a way that's rare in the kind of frothy fiction that these books get shelved alongside. Obviously, I dig anything that involves people making difficult moral choices, so I eat this up.

Honestly, my only real complaint about the book is that I wanted to spend more time with the characters and their problems. I wanted to dig deeper into their family stuff, have them struggle with the moral choices for longer, etc. I personally felt like this book could have used more room to breathe. But if this sounds appealing to you, I recommend it!

Oh, another thing I dig about Zen Cho's contemporary books-- they give me a glimpse of Malaysia, a really interesting multi-ethnic society I know very little about. And Cho doesn't over-explain things--she'll throw words in there that she doesn't take the time to define, so you either figure them out from context or look them up if you really want to know what they mean. I like this a lot! It feels like I'm being treated as an adult and also it feels like she's pushing back against the exoticizing that can happen in books published in Anglophone countries. For the characters, these aspects of their life are normal and not to be commented upon, and the specter of the white reader doesn't intrude through too much handholding by the text. It's great!

What I'm currently reading:

+ I'll be finishing up The Dawn of Everything for the last week of book club. As always, this book makes me want to write a dozen different anthropologically-focused fantasy novels a la Le Guin.

+ I read the lovely forward to Ray Bradbury's Dandelion Wine and I'm looking forward to reading the book. Shockingly, I've never read anything of his besides Fahrenheit 451.

three music-related things

Aug. 12th, 2025 09:12 am
lirazel: the Carly Rae Jepsen album E*mo*tion ([music] take me to the feeling)
[personal profile] lirazel
+ My girl Lissie (who I've been following since her song "Everywhere I Go" was used on an episode of Dollhouse) just released a cover of "America" by my boys Simon and Garfunkel. The video is made of home videos from the 40s-70s and I love it so so much. The cover is good but the video really elevates it.





I am deeply moved by ordinary people living good lives, so I got teary-eyed.



Anyway, watching it made me think of how much I love Lissie's covers. She's actually known for her covers as much as all the songs she's written herself, and for good reason. She has SO many good covers and I like how she'll often go for something really unexpected and outside her genre (folk-rock singer-songwriter, basically).

Here's "Pursuit of Happiness" by Kid Cudi:




"And Nothing Else Matters" by Nirvana:



"Bad Romance" by Lady Gaga:



"Go Your Own Way" by Fleetwood Mac:




"2000 Miles" by the Pretenders:




"Wrecking Ball" which is apparently by Miley Cyrus:




+ I've been listening to a lot of The Strike lately and I've realized they've written my two favorite songs about being a struggling working band.

"Painkillers" is IMO the very best song ever written about being a wedding band. It may not have a lot of competition lol! But I just think it's so clever and moving (and has a great hook)--the singer is reminding themself of why they have to play the same songs over and over at every wedding--because they're painkillers for the people listening and give them a way to escape reality for a hours and go back to when they were young. The bridge is "tonight we're going to dance our pain away," which should give you some idea of the song.




The other one is, imo, an even stronger song. "Down" is just about the struggle to make it. The singer is asking themself, "Why are we still doing this? Why have we invested so many years into this even though we've never struck big?"

"Another night sleeping in the car
Wondering what we’re even looking for
Burning the gas that we can’t afford
To heal the broken hearts

"And they still call up the radio stations
And ask us how we’re not so frustrated
Because they saw us way back in 15
And I say I’m not sure where the time goes."

The answer is the magic of live music, tbh.



Anyway, I love both of these songs madly.

+ I Do Not Do video games, but apparently really great music is getting written for video games? Someone posted a clip of a symphony playing a beautiful piece of music, so I went to find it on YouTube, only to find that there's two hours worth of additional music, equally beautiful! Apparently Undertale is a video game that was created by one genius dude and he also wrote all the music for it??? Even though he had no background in music???

Anyway, I've been listening to this a lot and loving it:


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